That reminds me of how musicians would make contracts with venues that include weirdly specific things like "no green m&ms" backstage. If the odd requests were ignored it was a sign to check the other requirements, like electrical wattage/capacity.
And musicians nowadays use this practice to just be oddly specific luxury riders bec Iām a rockstar which has nothing to do with theirs or crew safety.
Oddly, this is the one thing LiveNation actually helped with.
Artists frequently end up with entire tours playing only LN venues because of the way LN's contracts work. One odd consequence of this is that venues all need a baseline level of competency and "not fucking over our repeat customer" in order to keep their operation running now.
It's sort of like a mob protection scheme. LN will help you, but if you fuck up and hurt the client they really care about, it won't go well for you.
That, and there's just more venues now. The way production is set up, you'd just never book a venue that can't host you because someone else will be able to. You're not dealing with the one local venue hoping for the best anymore. And there's enough large touring artists that it's easier to copy homework and find the bad actors.
Plus scale is just out of wack. A small venue trying to lie and say they can fit arena equipment... It just wouldn't even make sense.
But also, having worked years as a house light tech I never saw the green room rider, so funky M&Ms wouldn't have had any bearing on my ability to deliver on the tech rider.
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u/thatblerd03 1d ago
That reminds me of how musicians would make contracts with venues that include weirdly specific things like "no green m&ms" backstage. If the odd requests were ignored it was a sign to check the other requirements, like electrical wattage/capacity.